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<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"><url><loc>https://jjstoessel.blog/2013/05/22/gentile-da-fabriano-and-the-getty-coronation-of-the-virgin/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2013/05/screen-shot-2013-05-10-at-11-29-53-am.png</image:loc><image:title>Detail, lower left</image:title><image:caption>Gentile da Fabriano, The Coronation of the Virgin, detail lower left</image:caption></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2013/05/screen-shot-2013-05-10-at-11-30-16-am.png</image:loc><image:title>Detail, lower right</image:title><image:caption>Gentile da Fabriano, The Coronation of the Virgin, detail lower right</image:caption></image:image><lastmod>2024-09-04T00:51:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/postdoctoral-supervision/</loc><lastmod>2024-02-07T11:52:01+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://jjstoessel.blog/2021/09/06/sweet-medieval-music/</loc><lastmod>2021-09-18T02:21:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2015/08/12/ciconias-motet-for-pietros-filargos/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2015/08/alextapestry.jpg</image:loc><image:title>Aleander V Tapestry</image:title><image:caption>Source: Peter of Candia Homepage, Biography http://www2.ucy.ac.cy/isa/Candia/biography.htm</image:caption></image:image><lastmod>2021-01-26T23:45:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/02/17/the-illuminator-of-mod-a/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2014/02/cosmc3a8_tura_-_st_anthony_of_padua_reading_-_wga23151.jpg</image:loc><image:title>Saint Anthony of Padua Reading by Cosimo Tura [Public domain], via Wikimedia Commons</image:title><image:caption>Saint Anthony of Padua Reading by Cosimo Tura [Public domain], via Wikimedia Commons</image:caption></image:image><lastmod>2020-05-28T12:14:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2018/08/12/pre-print-preview-of-new-article-on-the-tournai-canons-2/</loc><lastmod>2020-05-27T08:26:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2020/05/27/more-on-early-music-encoding/</loc><lastmod>2020-05-27T08:12:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2019/04/15/new-chapter-a-blacksmith-musica-and-minerva/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2019/04/music-myth-story-in-medieval-and-early-modern-culture-front-cover.jpg</image:loc><image:title>Music, Myth Story in Medieval and Early Modern Culture front cover</image:title></image:image><lastmod>2019-04-15T09:08:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2018/09/21/mouton-sighted-at-lodi/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2018/09/lodi-cathedral-intarsia-dae-11287611-size-reduced.jpg</image:loc><image:title>DAE-11287611 - © - DEA / A  DE GREGORIO</image:title><image:caption>Inlaid wood panel from the choir stalls of the Duomo or the Cathedral Basilica of the Assumption of the Blessed Virgin Mary, Lodi. Italy, 1523-25. Image © DEA / A  DE GREGORIO</image:caption></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2018/09/screen-shot-2018-09-21-at-1-42-58-pm.png</image:loc><image:title>Antico 1520</image:title><image:caption>Motetti novi e chanzoni francoise a quattro sopra doi (Venice: Antico, 1520), fol. 2</image:caption></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2018/09/lodi-cathedral-intarsia-dae-11287611-detail.jpeg</image:loc><image:title>Detail of music notation from the fifth choir stall on the right, Lodi Cathedral. Image © DEA / A  DE GREGORIO</image:title><image:caption>Inlaid wood panel from the choir stalls of the Duomo or the Cathedral Basilica of the Assumption of the Blessed Virgin Mary, Lodi. Italy, 1523-25.</image:caption></image:image><lastmod>2019-03-22T06:39:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2019/03/22/a-virtuous-stacked-canon/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2019/03/screen-shot-2019-03-06-at-6.01.22-pm.png</image:loc><image:title>Domat omnia virtus stacked and condensed</image:title></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2019/03/screen-shot-2019-03-06-at-6.54.32-am.png</image:loc><image:title>Failed virtue</image:title></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2019/03/53188073_10101734804739220_3113710474802233344_o-e1552622244857.jpg</image:loc><image:title>Odae suavissimae detail</image:title></image:image><lastmod>2019-03-22T00:56:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2019/03/08/a-new-concordance-for-pourtant-si-mon-amy/</loc><lastmod>2019-03-07T23:16:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/publications/</loc><lastmod>2019-02-10T07:19:25+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://jjstoessel.blog/about/</loc><lastmod>2018-08-13T12:13:03+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://jjstoessel.blog/2018/01/23/phd-scholarship-opportunity-in-digital-musicology-the-art-and-science-of-ludovico-zacconis-collections-of-canons/</loc><lastmod>2018-01-22T23:47:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2018/01/15/an-early-theory-compendium-in-australia-louise-hanson-dyer-manuscript-244-published/</loc><lastmod>2018-01-15T02:17:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2013/10/19/italian-benedictine-polyphonists-c-1400/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2013/10/niccolo-da-bologna_liturgical-misellany_bologna_ca-1370_m800-040r.jpg</image:loc><image:title>Niccolo da Bologna_Liturgical Misellany_Bologna_ca. 1370_m800.040r</image:title><image:caption>Monks singing from a lectern. Niccolò da Bologna, c. 1370</image:caption></image:image><lastmod>2017-11-20T22:15:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2017/08/02/early-15th-century-italian-benedictine-songbooks/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2017/08/rewujgwz.jpg</image:loc><image:title>rewujgwz</image:title></image:image><lastmod>2017-08-11T04:02:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2017/07/17/changing-tastes-in-french-music-around-the-council-of-constance-1414-1418/</loc><lastmod>2017-07-23T23:30:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2017/03/31/proportional-canons-at-tokyo/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2017/03/5-trigram-frequency-consonances-only-new.png</image:loc><image:title>Trigram frequency (consonances only) new</image:title></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2017/03/cicona-le-ray.png</image:loc><image:title>Cicona Le ray</image:title></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2017/03/josquin-agnus-mlhasuper.png</image:loc><image:title>Josquin-Agnus-MLHAsuper</image:title></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2017/03/1-melodic-interval-content-new.png</image:loc><image:title>1. Melodic Interval content new</image:title></image:image><lastmod>2017-07-17T08:12:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2017/07/10/late-medieval-listening-in-padua/</loc><lastmod>2017-07-15T00:29:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2017/06/08/short-essay-on-guillaume-faugues-and-his-reception/</loc><lastmod>2017-06-08T12:53:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/07/07/ciconia-at-medren-2014/</loc><lastmod>2017-04-06T12:20:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/01/01/scribes-and-editors-at-work-and-at-play/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2014/01/ex_6_en_nul_estat_parallel.jpg</image:loc><image:title>Different readings of Contratenors (Ct) in "En nul estat"</image:title><image:caption>Different readings of Contratenors (Ct) in "En nul estat"</image:caption></image:image><lastmod>2017-04-06T12:19:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2013/09/03/johannes-ciconias-merce-o-mort-with-a-free-transcription/</loc><lastmod>2017-04-06T12:18:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2013/08/09/barbarian-voices-the-role-of-song-in-encounters-between-european-and-asian-cultures/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2013/08/mongol_tumen_commander.jpg</image:loc><image:title>Mongol tumen commander</image:title><image:caption>Mongol commander of a thousand troops, in Ambrogio Lorenzetti's Martyrdom of the Franciscans, 1330.</image:caption></image:image><lastmod>2017-04-06T12:18:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2013/07/17/late-medieval-notational-identity/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2013/07/carpaccio-detail.png</image:loc><image:title>Detail from Carpaccio's Young Knight in a Landscape</image:title><image:caption>Detail from Carpaccio's Young Knight in a Landscape showing signed "cartellino"</image:caption></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2013/07/vittore-carpaccio-young-knight-in-a-landscape-1510.jpg</image:loc><image:title>Vittore Carpaccio Young Knight in a Landscape 1510</image:title><image:caption>Vittore Carpaccio, Young Knight in a Landscape, 1510</image:caption></image:image><lastmod>2017-04-06T12:17:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2013/12/21/howling-and-roaring-in-oxford/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2013/12/balzan-musicology-workshop-300x225.jpg</image:loc><image:title>Balzan-Musicology-Workshop-300x225</image:title></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2013/12/mongolshowlingflyer.jpg</image:loc><image:title>MongolsHowlingFlyer</image:title></image:image><lastmod>2017-04-06T12:15:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/03/23/digital-humanities-and-medieval-music/</loc><lastmod>2017-04-06T12:14:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/06/23/singing-in-french-at-constance/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2014/06/dscn0585.jpg</image:loc><image:title>Imperia at Constance</image:title><image:caption>The rather buxom Imperia hold caricatures of Baldasarre Cossa (a pope at the time of the council) and King Sigismund</image:caption></image:image><lastmod>2017-04-06T12:13:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2016/10/03/essay-on-deaths-influence-on-the-music-of-the-fourteenth-century/</loc><lastmod>2017-04-06T12:12:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2016/12/23/identity-and-locality-in-early-european-music-now-in-paperback/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2016/12/9780754664871.jpg</image:loc><image:title>9780754664871</image:title></image:image><lastmod>2016-12-23T03:21:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/09/08/louis-ii-of-anjou-and-mod-a/</loc><lastmod>2016-10-10T11:07:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/11/12/i-say-data-you-say-data/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2014/11/richard_of_wallingford.jpg</image:loc><image:title>Richard_of_Wallingford</image:title></image:image><lastmod>2016-10-10T11:06:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2015/04/19/the-old-and-new-in-early-fifteenth-century-padua/</loc><lastmod>2016-10-10T11:06:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2015/05/02/musical-oratory-johannes-ciconias-con-lagreme-bagnandome/</loc><lastmod>2016-10-10T11:05:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2015/07/22/post-july-2015-conference-roundup/</loc><lastmod>2016-10-10T11:04:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2016/09/02/review-of-schiltzs-new-book/</loc><lastmod>2016-09-02T13:47:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2016/07/04/review-article-and-another-review/</loc><lastmod>2016-07-04T10:55:18+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2015/03/09/international-symposium-on-louise-hanson-dyer-music-ms-244/</loc><lastmod>2015-05-04T17:55:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/06/09/vocal-stereotypes-in-the-late-middle-ages/</loc><lastmod>2014-06-23T13:16:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2014/02/26/where-did-the-caron-website-go/</loc><lastmod>2014-03-05T04:51:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2011/05/11/identity-and-locality-in-early-european-music-1028%e2%80%931740/</loc><lastmod>2014-01-12T00:38:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2013/01/08/2012-in-review/</loc><lastmod>2013-07-17T01:18:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2012/12/16/music-and-politics/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2012/12/091louis.jpg</image:loc><image:title>Louis II of Anjou</image:title><image:caption>Source: Wikipedia.</image:caption></image:image><lastmod>2013-07-17T01:17:21+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2012/09/05/book-review-citation-intertextuality-and-memory/</loc><lastmod>2013-07-17T01:16:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2012/11/14/redemption-and-the-missa-lardant-desir/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2012/11/lad-cf-transformations.png</image:loc><image:title>LAD CF transformations</image:title></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2012/11/note-names.png</image:loc><image:title>Note names</image:title><image:caption>Late medieval note names (partially 'Anglicised')</image:caption></image:image><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2012/11/lad-agnus-iii-transformations.png</image:loc><image:title>LAD Agnus III transformations</image:title><image:caption>Rhythmic transformations in Agnus dei III, Missa L'Ardant desir</image:caption></image:image><lastmod>2013-07-17T01:15:18+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2012/12/07/some-insights-into-late-medieval-music-notation/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2012/12/graphic-2-large.jpg</image:loc><image:title>graphic-2.large</image:title></image:image><lastmod>2013-07-17T01:14:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2012/05/23/armchair-philology-treasures-from-the-austrian-national-library/</loc><lastmod>2013-07-14T10:50:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2012/01/11/a-new-composition-by-denis-le-grant/</loc><lastmod>2013-01-16T08:14:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2012/02/27/towards-a-new-taxonomy-of-medieval-music-writing-part-1/</loc><image:image><image:loc>https://jjstoessel.blog/wp-content/uploads/2012/02/jean_mic3a9lot_brussels2.jpg</image:loc><image:title>Jean Miélot at his desk (Unknown miniaturist, Brussels Royal Library, MS 9278, fol. 10r)</image:title><image:caption>Public Domain (http://en.wikipedia.org/wiki/File:Jean_Miélot,_Brussels.jpg)</image:caption></image:image><lastmod>2012-11-14T09:27:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2011/12/04/powering-music-and-emotions-research/</loc><lastmod>2012-11-14T09:24:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2011/11/22/music-and-rhetoric-at-padua/</loc><lastmod>2012-11-14T09:23:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2011/06/06/unusual-signs-and-angevin-politics/</loc><lastmod>2012-11-14T09:22:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2011/05/17/looking-back-in-2010/</loc><lastmod>2012-11-14T09:21:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog/2012/03/29/recording-review-le-ray-au-soleil/</loc><lastmod>2012-11-14T00:44:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://jjstoessel.blog</loc><changefreq>daily</changefreq><priority>1.0</priority><lastmod>2024-09-04T00:51:12+00:00</lastmod></url></urlset>
