My review of Katelijne Schiltz’s Music and Riddle Culture in the Renaissance (OUP) has recently appeared in Music and Letters. Full citation:
Jason Stoessel, “Music and Riddle Culture in the Renaissance. By Katelijne Schiltz (review).” Music and Letters 97, no. 2 (2016): 327-329. doi: 10.1093/ml/gcw030
Oxford University Press has provided free access to the review via this link (HTML) or this link (PDF) for use on my personal research blog. Enjoy my review and I hope that it encourages you to read this book on a fascinating topic.
I’m delighted to inform readers that my review article “Editing Early English Music” has recently appeared in Musicology Australia, the journal of the Musicological Society of Australia. In it, I compare two recent editions of fourteenth- and fifteenth-century music with connections to English composers, sources or musical styles: Reinhard Strohm’s Fifteenth-Century Liturgical Music, 6: Mass Settings from the Lucca Choirbook and David Fallows’s Secular Polyphony 1380–1480. I explore some of the difficulties faced by editors assembling a repertoire of musical compositions under the label of “English” and their different approaches to music editing. A complimentary copy of the article is available for the first 50 readers. If you have institutional access Musicology Australia you might like to follow this link instead.
I also authored a short review for the same issue of Musicology Australia on Margaret Bent’s recent book, Magister Jacobus de Ispania, Author of the Speculum Musicae. Bent has put forward in her book a fascinating new hypothesis concerning the origin of one of the most important music theorists of the early fourteenth century, proposing he can be identified with one of the founders of Oriel College, Oxford: James of Spain. My thoughts on Bent’s hypothesis and other interesting aspects of her book can be read in this complimentary copy here or by institutional subscribers to Musicology Australia here.
Le Ray au soleil: Musica alla corte pavese dei Visconti (1360-1402)
La Fonte Musica, Michele Pasotti, dir. ORF « Alte Musik » SACD 3124 [SACD hybrid], 2011.
Although I don’t intend to make it a regular habit, this month I have decided to review a recent recording of medieval songs from around the year 1400. Late last year, Michele Pasotti kindly sent me a copy of the first CD issued by his ensemble la fonte musica, “Le Ray au soleil” (The Ray of the Sun). As other writing projects have been cleared out of the way, I am now in a position to return this favour in one of the few ways I can and provide a brief review on this recording. Naturally, I write without fear or favour, as a musicologist who has engaged in and taught critical listening for several years, and someone who is fairly familiar with recordings of this late medieval music from the last thirty years or so. Continue reading “Recording Review: Le Ray au soleil”