Edited book

Stoessel, Jason. ed. Identity and Locality in Early European Music, 1028–1740. Farnham: Ashgate, 2009. ISBN 978-0-7546-6487-1. [Routledge] [Google Books]

Refereed journal articles

Stoessel, Jason, and Denis Collins. “New Light on the Mid‐Fourteenth‐Century Chace: Canons Hidden in the Tournai Manuscript.” Music Analysis 38, no. 1 (2018): in press. doi: 10.1111/musa.12116. An early access version of this article is available here.

Stoessel, Jason. “The Making of Louise Hanson-Dyer Collection Manuscript 244 (LHD 244).” Musica Disciplina 60 (2015 [published 2017]): 67–92.

Stoessel, Jason, Jan Herlinger, and Linda Page Cummins, “Melbourne, University of Melbourne Library, Special Collections, Rare Music, LHD 244: Inventory.” Musica Disciplina 60 (2015 [published 2017]): 203–11.

Stoessel, Jason. “Climbing Mount Ventoux: The Contest/Context of Scholasticism and Humanism in Early Fifteenth-Century Paduan Music Theory and Practice.” Intellectual History Review 27/3 (2017): 317–332. doi: 10.1080/17496977.2017.1333314.

Stoessel, Jason. “Editing Early English Music (review article).” Musicology Australia 38/1 (2016):108–116. doi: 10.1080/08145857.2016.1168344.

Stoessel, Jason. “Con lagreme bagnandome el viso: Mourning and Music in Late Medieval Padua.” Plainsong and Medieval Music 24/1 (2015): 71–89. doi: 10.1017/S0961137115000030.

Stoessel, Jason, and John Stinson. “Encoding Medieval Music Notation for Research.” Early Music 42/4 (2014): 613–617. doi: 10.1093/em/cau093.

Stoessel, Jason. “The Angevin Struggle for the Kingdom of Naples (c.1378–1411) and Politics of Repertoire in Mod A: New Hypotheses.” Journal of Music Research Online 5 (2014).

Stoessel, Jason. “Howling Like Wolves, Bleating Like Lambs: Singers and the Discourse of Animality in the Late Middle Ages.” Viator 45, no. 2 (2014): 201–236. doi: 10.1484/J.VIATOR.1.103918

Stoessel, Jason. “Arms, A Saint and Inperial sedendo fra più stelle: The Illuminator of Mod A.” Journal of Musicology 31/1 (2014): 1–42. doi: 10.1525/JM.2014.31.1.1

Stoessel, Jason. “Revisiting Ay, mare, amice mi care.” Early Music 40/3 (2012): 455–468. doi: 10.1093/em/cas101

Stoessel, Jason. “Looking Back over the ‘Missa L’Ardant Desir’: Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music.” Music & Letters 91/3 (2010): 311–342. doi: 10.1093/ml/gcq059 (Publisher’s erratum for abstract vol. 91/4[2010]: 610)

Stoessel, Jason. “Symbolic Innovation: The Notation of Jacob de Senleches.” Acta Musicologica 71/2 (1999): 136–164. doi: 10.2307/932672.

Invited Article

Stoessel, Jason. “Louise Hanson-Dyer’s commonplace book of early music theory,” University of Melbourne Collections 17 (2015): 33–38.

Book chapters and published conference papers

Stoessel, Jason. “Voice and Song in Early Encounters between Latins, Mongols, and Persians, c.1250-c.1350.” In Studies on a Global History of Music: A Balzan Musicology Project, edited by Reinhard Strohm, 83-113. Abingdon: Routledge, 2018.

Stoessel, Jason. “The Makers and Owners of Early Fifteenth-Century Song Books in Italy: The Benedictine Contribution to the Courtly Musical Culture of the Late Middle Ages.” In Sources of Identity: Makers, Owners and Users of Music Sources Before 1600, edited by Lisa Colton and Tim Shephard, 77–96. Turnhout: Brepols, 2017.

Stoessel, J. “French-texted Songs at the Council of Constance: Influences, Paths of Transmission, and Trends.” In Europäische Musikkultur im Kontext des Konstanzer Konzils. Konstanzer Geschichts und Rechtsquellen. Edited by Stefan Morent, Silke Leopald and Joachim Steinheuer, 205–224. Ostfildern: Jan Thorbecke, 2017.

Stoessel, J. “Introduction.” In The Complete Extant Transmissions of the Masses by Guillaume Faugues, Gesamtausgaben – Collected Works XXIX/4, edited by Rex Eakins, xi-xviii. Lions Bay: The Institute of Mediaeval Music, 2016.

Stoessel, J. ‘De invloed van de dood op de muziek van de 14de eeuw [Death’s Influence on the Music of the Fourteenth Century]’, in, Laus Polyphoniae 2016: MORS | De eeuw van de zwarte dood [The Century of the Black Death] (Antwerp: AMUZ [Festival van Vlaanderen-Antwerpen], 2016), pp. 113–119.

Stoessel, Jason. “Scribes at Work, Scribes at Play: Challenges for Editors of the Ars subtilior,” in Early Music Editing: Principles, Historiography, Future Directions, ed. Theodor Dumitrescu, Karl Kügle, and Marnix van Berchum, 51–75. Turnhout: Brepols, 2013.

Stoessel, Jason. “The Interpretation of Unusual Mensuration Signs in Ars subtilior”, in A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564). Edited by Yolanda Plumley and Anne Stone, 179–202. Turnhout: Brepols, 2009.

Stoessel, Jason. “Music and Moral Philosophy in Early Fifteenth-Century Padua.” In Identity and Locality in Early European Music 1028-1740. Edited by Jason Stoessel, 107–27. Farnham: Ashgate, 2009.

Stoessel, Jason. “Editor’s Introduction.” In Identity and Locality in Early European Music 1028-1740. Edited by Jason Stoessel, 1–10. Farnham: Ashgate, 2009.

Stoessel, Jason. “A Fifteenth Century Response to a Musical Text: The Editor Scribe in Chantilly, Bibliothèque du Musée Condé, ms. 564 (Codex Chantilly)”, Chapter 26 in Music Research: New Directions for a New CenturyProceedings of the 25th National Conference of the Musicological Society of Australia. Edited by M. Ewans, R. Halton, J. Phillips. Cambridge Scholars Press: London, 2004. ISBN 1-904303-35-8


Stoessel, J. “Review: Rohr, Zita Eva. Yolande of Aragon (1381–1442) Family and Power: The Reverse of the Tapestry.” Parergon no. 33 (2016).

Stoessel, Jason. “Review: Music and Riddle Culture in the Renaissance. By Katelijne Schiltz.” Music & Letters 97/2 (2016):327–329. doi: 10.1093/ml/gcw030.

Stoessel, Jason. “Review: Margaret Bent, Magister Jacobus de Ispania, Author of the Speculum Musicae.” Musicology Australia no. 38/1 (2016):121–124. doi: 10.1080/08145857.2016.1168346.

Stoessel, Jason. “Review: O’Doherty, Marianne, and Felicitas Schmieder, Eds, Travels and Mobilities in the Middle Ages: From the Atlantic to the Black Sea.” Parergon 33.1 (2016): forthcoming. Print.

Stoessel, Jason. “Review: Khanmohamadi, Shirin A., in Light of Another’s Word: European Ethnography in the Middle Ages.” Parergon 32.2 (2015): 317–19.

Stoessel, Jason. “Plumley, Yolanda, Giuliano Di Bacco, and Stefano Jossa, eds. Citation, Intertextuality and Memory in the Middle Ages and Renaissance, vol. 1: Text, Music and Image from Machaut to Aristo. Exeter Studies in Medieval Europe. Exeter: University of Exeter Press, 2011.” The Medieval Review 12.08.04 (2012).

Stoessel, Jason. “Michael Kassler, A.F.C. Kollmann’s Quarterly Musical Register (1812). An Annotated Edition with an Introduction to his Life and Works. Aldershot: Ashgate 2008.” Musicology Australia 32/1 (2010): 138–140.

Stoessel, Jason. “Michael O’Loghlin, Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School. Aldershot: Ashgate, 2008.” Musicology Australia 32/1 (2010): 141–143.

Stoessel, Jason. “Sung Birds: Music, Poetry, and Nature in the Later Middle Ages. By Elizabeth Eva Leach”, Notes 64/3 (2008): 490–3.

Stoessel, Jason. “Citation and Authority in Medieval and Renaissance Culture: Learning from the Learned. eds S. Clark & E.E. Leach, Studies in Medieval and Renaissance Music. Woodbridge: The Boydell Press, 2005.” Notes 63/3 (2007): 590–593.

Stoessel, Jason. “Machaut’s Music: New Interpretations. ed. E.E. Leach. Woodbridge: The Boydell Press, 2003.” The Medieval Review 05.02.01 (2005).

Leave a Reply

Please log in using one of these methods to post your comment: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s