Mouton sighted at Lodi

21 September 201822 March 2019 ~ Jason Stoessel ~ 2 Comments

I’m currently writing a chapter on the material representation of canons in early sixteenth-century northern Italian art. The number of canons in art suggests that they played an important role in the musico-visual culture in courts and ecclesiastical institutions of this time. Some better known examples of canons in paintings include the Agnus Dei II of Josquin’s Missa L’homme armé super voces musicales in Dosso Dossi’s Allegory of Music and Ockeghem’s Prenez sur moy in one of the intarsia of Isabelle d’Este’s grotta at the Ducal Palace in Mantua.

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Identity and Locality in Early European Music Now in Paperback

23 December 201623 December 2016 ~ Jason Stoessel ~ Leave a comment

Just in time for your summer or winter reading list–depending on in which hemisphere of the Earth you reside–Routledge has announce that Identity and Locality in Early European Music, 1028-1740, ed. Jason Stoessel, originally published by Ashgate in 2009 has been reissued in an affordable paperback edition. This reissue is part of the Routledge Paperback Direct (RPD) programme and, as such, no changes were made to the hardback edition at all. RPD is the Routledge way of publishing paperback editions of successful hardbacks, available for authors and individual customers to purchase directly from the Routledge website. For further details, see the Routledge order page:

https://www.routledge.com/Identity-and-Locality-in-Early-European-Music-10281740/Stoessel/p/book/9780754664871

Identity and Locality in Early European Music, 1028–1740

11 May 201112 January 2014 ~ Jason Stoessel ~ Leave a comment

In the next few posts I will be playing catch up as I post a few comments on my recent publications and activities. My first edited book Identity and Locality in Early European Music, 1028–1740 was published at the end of 2009 by Ashgate Publishing in the UK. Continue reading “Identity and Locality in Early European Music, 1028–1740” →