Ciconia’s motet for Pietro Filargos

Last week I gave a paper at the Practising Emotions collaboratory of the ARC Centre for the History of Emotions entitled “Civic Pride, Community and Friendship: Representations of Emotional Spaces in the Music and Oratory of Johannes Ciconia’s Padua”. During his time at Padua between 1401 and his death in 1412, the composer Johannes Ciconia wrote a series of motets that reference prominent events and figures associated with the city. As already discussed by several scholars (Clercx, Bent, Hallmark, Nosow), no less than three of his motets refer to successive bishops (or in one case a bishop-elect) of Padua. Although there is disagreement on when and where these motets might have been performed, their associations seem clear.

Continue reading “Ciconia’s motet for Pietro Filargos”