Italian Benedictine Polyphonists c.1400

Two weeks ago I attended and presented a paper at the “Sources of Identity: Makers, Owners and Users of Music Sources before 1600” conference that Lisa Colton and Tim Shephard convened at the University of Sheffield, 4-6 October 2013. I’d just hopped off a long-haul international flight from Australia and had made my way north to Sheffield using England’s rather slow and not cheap train system, so my memory of the first day was a bit patchy. Continue reading “Italian Benedictine Polyphonists c.1400”