A “virtuous” stacked canon

I’m pleased to report on recent attempt to solve a canon found on the title page of a music anthology, Odae suavissimae (1601/1602?). Philipp Schöndorff (sometimes Schöndorpp) (1558–after 1617) dedicated this collection, including two eponymous odes, to his Liégeois compatriot Jacob Chimarrhaeus (1542–1614). Both men were at that date employed at the Imperial court of Rudolf II, Chimarrhaeus as almoner (previously as a singer and very good viol player) and Schöndorff as a chapel singer and trumpeter. Indeed, the Schöndorff had gained employment at Rudolf’s court following Chimarrhaeus’s recommendation in 1590, and the younger man’s esteem for his older co-worker may have stemmed in part from that gesture.

As so often happens these days, musicologist Erika Supria Honisch reached out to colleagues on social media for help to solve the canon that appears towards the top of the ornately engraved title page,  indicated by “CAN 4. VOC”, that is a canon in…